On Wednesday February 3rd the Whipple Museum will hold a special concert to celebrate the works of astronomer and musician William Herschel and his sister, astronomer and singer Caroline Herschel.

It will feature performances of William Herschel’s oboe concerto in Eb and two trio sonatas for harpsichord and strings, as well as an introductory talk from Herschel scholar Michael Hoskin and a reading from Kelley Swain’s new novel-in-progress about Caroline Herschel.

All are welcome!

Whipple Museum, Wednesday February 3rd 2010, 6-9pm
Tickets are free but must be reserved via HPS reception (01223 330906).

CRASSH, University of Cambridge

This interdisciplinary conference concentrates on the correlation between science and art/design, and the impact of the arts and artistic practices on scientific culture. The scientific focus of the conference is molecular biology, in particular structural biology. As any other micro- and nano-scale science, this research is inherently dependent upon visualising objects and data in the production and communication of scientific knowledge. Visualisation is thus an integral part of the understanding and evolution of new scientific concepts and boundaries.

Interdisciplinary collaboration in visualising molecular structures lies at the very core of contemporary research processes and products. Bringing art, design and science together is far more than just an interesting experiment in transdisciplinary cross-communication, it is a necessary step in exploring new ways of optimising imagery at the molecular level and thus breaking new ground.

We welcome submissions for presentations broadly within visualisation of science. Please submit abstract of no more than 250 words, a brief CV and a few lines on your interest in this conference by email to rsk@mrc-mbu.cam.ac.uk before 1 February 2010. For registration and submission of abstract please use the relevant form on our conference website.

Speakers will be notified two weeks after submission deadline. Please be aware that the number of places is limited. Registration and payment must be completed by 11 March 2010.

Department of History and Philosophy of Science
University of Cambridge

This one day workshop, aimed particularly at postgraduates and early career
researchers, introduces and explores historiographical and methodological
issues unique to the history of alchemy and chemistry. We will investigate
the practical challenges of researching chemistry over different periods,
from pre-modern matter theories and artisanal practices, to the shaping of
chemistry as a formal discipline in the eighteenth and nineteenth
centuries, and the increasing permeability of chemistry’s boundaries with
other disciplines, including physics and the biosciences, in modern times.
Participation is welcomed both from scholars already working on related
topics, and those interested in exploring points of intersection between
the history of chemistry and their own research.

Discussion will be framed by presentations from junior and established
scholars, including:

  • Hasok Chang (University College London), ‘Why has chemistry become
    unfashionable for historians of science?’
  • Jennifer Rampling (University of Cambridge), ‘Interpreting alchemy: text,
    image, and practice.’
  • Karin Ekholm (Indiana University, Bloomington), ‘Some problems in the
    history of seventeenth-century chemistry.’
  • John Perkins (Oxford Brookes University), ‘Searching for chemists in
    eighteenth-century France.’
  • Pieter Thyssen (Catholic University of Leuven), ‘The Replication Method in
    the history of chemistry: resolving a nineteenth-century priority dispute.’
  • Viviane Quirke (Oxford Brookes University), ‘Chemistry, the pharmaceutical
    industry, and medicine in the twentieth century: drugs as “boundary
    objects.”‘

Lunch is provided. There is no charge for attendance, but registration is
required. Assistance is available towards the cost of travel and
accommodation. Please email Jennifer Rampling for further
details, and to register.

Sponsored by the Society for the History of Alchemy and Chemistry (SHAC).
For more information on SHAC, including details of the Society’s award
scheme for junior scholars, see www.ambix.org.

The workshop immediately follows the BSHS Postgraduate Conference in
Cambridge (5-7 January).

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Conference Review:

Beyond Two Cultures, King’s College London, December 11th, 2009[1]

 

This stimulating one-day conference at King’s marked the fiftieth anniversary of C. P. Snow’s Rede lecture on the ‘two cultures’ in 1959.[2]   Incorporating three panels with participants from a broad range of disciplines was both ambitious and commendable.  The conference aimed to look ‘beyond’ the nature of Snow’s original distinction and explore manifestations of the current relationship between science and the arts in the twenty-first century.

A recurrent theme throughout the day was the question of what relative ‘value’ is offered by the sciences and the humanities.  Starting the day, Alister McGrath proposed that the relationship between science and the humanities was more akin to a ‘spectrum’ than an opposition of two realms, but that the two display quite different attitudes to authority and tradition, as well as to information.[3]  In his view, past authorities are revered in subjects such as literature or philosophy, and that engagement with them is seen as a way of moving forward.  In the sciences, on the other hand, new knowledge is considered to be of greater value and information- or practice-based innovations are more highly prized.  In view of those differences, Professor McGrath advocated adopting an approach of ‘critical realism’, whereby it is accepted that disciplines perceive ‘reality’ in different ways and engage with it on different levels; these are appropriate to the nature, purpose and expertise of each discipline and should, therefore, be considered equally valid. 

In the research report by Sara Donetto and Alan Cribb that followed, however, it was evident that medical students at least do not consider knowledge from different disciplines to be equally valuable.[4]  Apparently, ‘soft’ knowledge from areas such as ethics is often considered by those in science to be less worthwhile than factual knowledge, partly because it is seen to involve a ‘loss of science’ but also because of the greater open-endedness in the way it is taught and of the assessment methods in these fields.  Similar reservations can operate in medicine more widely. Some medical scientists will argue that cancer patients and their doctors would rather have a new drug treatment than a new theory about the nature of suffering.  On the other hand, those in the medical humanities ask fundamental questions about the purpose of medicine and the meaning of illness experiences that can easily be lost within a scientific frame of reference.[5]  Ultimately Donetto and Cribb asked whether it is better to think in terms of multidisciplinarity or interdisciplinarity when seeking to forge closer links between science and ethics in medicine and argued for the importance of encouraging more critical reflexivity about these, and other, matters in the medical school.

The benefits of simultaneous yet distinct epistemologies were advocated further by Chris Abbott, in relation to ICT and Media studies, and by Robert Zimmer, in art and computing.[6]  Zimmer evoked an image of ‘clashing points’ that offer ‘creative chances’ and illustrated these with some of the digital modelling techniques that are now vital aspects of scientific innovation.  It was precisely these qualities of lively cross-curricular exchange and adaptability that David Amigoni suggested might be the most valuable contribution from humanities.[7]  Amigoni asked whether an active understanding of traditions of discourse in both the humanities and the sciences might help bridge the gaps between disciplines; having already worked from Matthew Arnold’s initial definition of ‘culture’ as ‘the best that has been thought and said’, through Raymond Williams’s search for a ‘common culture’ in the 1950s, he emerged, finally, with the concept of a new ‘third culture’, proposed by John Brockman, which is perhaps exemplified and complicated by the writings of Ian McEwan.[8]  It is engagements of this kind, between history, education and visual technologies, not to mention literature and science, which have fuelled the extraordinarily creative development of school teaching resources that were described in Eleanor Brodie’s final presentation.[9]

Throughout the day it was observed that, despite the difficulties of reclaiming a polymath intellectual tradition, the similarities between disciplines are often greater than the differences.  At the same time, disciplinarity itself was recognised as a valuable source of strength, support and research depth.  In the combination of the two perspectives, there appears to lie a desire for more genuinely integrated models of learning and knowledge, such as those of the eighteenth-century referred to by Steve Fuller in his recent discussion of Snow’s ideas.[10]  Just as importantly, it is clear that one discipline can perform functions for which another is less equipped or inclined, say, by literary scholars investigating historical scientists’ diaries, or mathematicians explaining numeric patterns in Alice in Wonderland.  What the conference illustrated, therefore, was the multitude of ways in which Snow’s observations still elicit decidedly productive forms of ‘interactional expertise’.  In the superb organisation and gracious hosting of this conference, King’s has not only contributed to these interactions but also initiated a thought-provoking model for future forums.

  

Stella Pratt-Smith

Balliol College, Oxford University

Membership Secretary, British Society for Literature and Science


[1] http://www.kcl.ac.uk/schools/sspp/education/beyond.html.

[2] C. P. Snow, ‘The Two Cultures and the Scientific Revolution’, Encounter, June 1959, pp. 17-24.

[3] Alister McGrath Professor of Theology, Ministry and Education and Head of the Centre for Theology, Religion and Culture at King’s; author of The Dawkins Delusion? Atheist Fundamentalism and the Denial of the Divine (with Joanna Collicutt McGrath, 2007) and A Fine-Tuned Universe? Anthropic Phenomena and Natural Theology (2009).

[4] Sara Donetto, Post-doctoral Fellow, King’s College London.

[5] Alan Cribb, Professor of Bioethics & Education, King’s College London.

[6] Chris Abbott, Reader in e-inclusion, King’s College London; Robert Zimmer, Professor of Computing, Goldsmiths College.

[7] David Amigoni, Professor of Victorian Literature, Keele University.

[8] See Edge.co.uk

[9] Eleanor Brodie, Sheffield Hallam University.

[10] See Steve Fuller’s lecture on http://www.youtube.com/watch?v=XVZgNfDQR2A.

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REGISTRATION NOW OPEN!

Nature and the long nineteenth century is a one-day interdisciplinary postgraduate conference exploring intersections of the natural world with nineteenth-century literature and culture.

University of Edinburgh, Saturday, 6 February 2010.

Keynote speakers:

Dr Martin Willis, University of Glamorgan, Dr Christine Ferguson, University of Glasgow, Professor Nick Daly, University College Dublin

In the twenty-first century, environmentalism and the impacts of climate change form a nexus of intense debates about relationship between human culture and the natural world. However, the centrality of the natural world to the nineteenth century imagination has long been acknowledged by scholars, way-marked by Lynn Merrill’s The Romance of Victorian Natural History (1989) for example, while Mike Davis’s Late Victorian Holocausts: El Nino Famines and the Making of the Third World (2002) demonstrates the relevance of nineteenth-century research to the modern world.

This conference probes the significance of nature to the long nineteenth century and to our study of its literature, history, science, art, and other media. How did the natural world influence people in the nineteenth century?and how did nineteenth-century culture shape attitudes to the natural world? Have twenty-first century questions over nature, climate, and the environment changed the way we view and study the cultural products of the nineteenth century, or offered new avenues for research, especially interdisciplinary research?

For more information and to register for the conference, please visit the conference website.

Closing date for registration: 7 January 2010.

Conference organisers:

Claire McKechnie, University of Edinburgh and Dr Emily Alder, Edinburgh Napier University.

Please direct enquiries to natureconference@ed.ac.uk.

We are grateful for the support of the British Society for Literature and Science, the British Association for Victorian Studies, and the Centre for Literature and Writing at Edinburgh Napier University.

A conference on this theme will be held at Jadavpur University (Kolkata, India), from 6-8 February 2010.

Keynote speaker: Professor Dame Gillian Beer.

The scientific temper of the nineteenth century – post-Newton – is revealed in pursuits in fields as varied as astronomy and geology, which dominated the first half of the century, and evolutionary biology which posed a serious challenge to the certitudes of religion in the decades following the landmark publication of Darwin’s On the Origin of Species (1859). Apart from these major ‘natural sciences’ and cosmology, the ‘social’ sciences such as anthropology, sociology and psychology also attracted much attention, as did the more whimsical fields of study like phrenology, craniology, and sexology. Such varied scientific explorations offered a rich mine for the literary imagination in terms of both themes and images, inspiring both utopic futuristic visions of human existence as well as parodic spine-chilling versions of dystopia. The Darwinian legacy also accounted for both the positive faith in progress and perfectibility as well as the impression of brooding melancholy, the emotional disquiet and spiritual crisis – fuelled by the apparently amoral randomness of the universe and thoughts of the extinction of species that invariably accompany progress to higher forms – that are so characteristic of the Victorian period.

We invite papers (of approx. 30 mins duration) which address any of the broad issues within the parameters set above or, indeed, any other related area. Titles and abstracts of papers should reach either of the conference organisers by 15 December 2009: Supriya Chaudhuri (supriya.chaudhuri@gmail.com), Shanta Dutta (shanta.dutta@gmail.com).

Dr Hauke Riesch and Dr Alice Bell are seeking contributions for a one-day symposium on 20th century popular science: the morning devoted to the apparent post-Einstein boom in popular science publishing, the afternoon considering post-Hawking works.

The event is to be held at Imperial College London on 31st March, 2010. It will comprise of a series of extended 30 minute talks, plus time for discussion.

The mention of Einstein and Hawking should not suggest an interest purely in the popularisation of physics, nor should it imply a focus on biographical details of their lives, celebrity-science, or challenges of relaying especially abstract ideas in text. Papers might explore the impact of other iconic scientists, popular science audiences, marginal scientists publishing through popular texts, the role of journalists and science-writers and/or the role played by publishers, reviewers and bookselling contexts. We should also note that we welcome papers which reflection on both the background context and long-term consequences of 20th century popular science. Papers on 19th or 21st century popular science publishing are
still of interest, as long as they speak to themes raised by a 20th century focus.

The broad range of topics potential papers might discuss include (but
are not limited to):

* Relationships between scientists and their publics.
* Celebrity, public intellectuals and popular science authorship.
* Marketing and the role of consumer culture.
* Issues of culture and social class.
* Writing for children.
* Implied epistemologies.
* Publishing processes and cultures.
* Outsider-scientist writers.
* Science and Religion.
* The audiences of popular science.
* Popular science’s impact on and reflection of science policy issues.
* Humour and comedy in science writing.
* Wonder and the sublime.
* Metaphor.
* Literary renderings of mathematics.
* Illustrations, diagrams, graphics and design.

Potential contributors should email a 500 word abstract (including, if necessary, bibliography) along with a 150 word biography to popularsciencebooms@googlemail.com by 11th December, 2009.

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AUTUMN TERM 2009
The London Nineteenth Century Studies Seminars this term are organised by Birbeck College and entitled ‘The Victorians and Science’. The convener is Ana Vadillo (Birkbeck)

17 October 2009, 11am, Room G37
(Senate House, South Block, Ground Floor)
Dr. Adelene Buckland (University of Cambridge), ‘Lyell’s Plots’
Dr. Angelique Richardson (University of Exeter), ‘Hardy and Biology’

14 November 2009, 11am, Room G37
(Senate House, South Block, Ground Floor)
Dr. Gowan Dawson (University of Leicester), ‘Palaeontology in Parts: Serializing Science in the Penny Cyclopædia 1833-43′
Dr John Holmes (University of Reading), ‘Darwinism in Victorian Poetry’

12 December 2009, 11am, Room G37
(Senate House, South Block, Ground Floor)
PANEL: After Darwin’s Plots
Professor David Amigoni (Keele University), ‘Fields of Inheritance: Science, Literature and their Relations after Darwin’s Plots
Professor Gillian Beer (University of Cambridge), ‘Emotions, Beauty, Consciousness: late Darwin’
Professor Daniel Brown (University of Western Australia), ‘Egerton’s Keynotes: Darwinian naturalism and fin-de-siècle fetishism.’

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Public talk: Poems of Space

10th November, 19:00-20:45, National Maritime Museum Lecture Theatre, £8

Renowned astronomer Dame Jocelyn Bell Burnell explores the connections between poetry and science and her experience of compiling Dark Matter, an anthology of poems inspired by astronomy. Followed by a discussion with poet Kelley Swain (Darwin’s Microscope) and astronomer/writer Dr Pippa Goldschmidt.

http://www.nmm.ac.uk/visit/events/public-talk-poems-of-space/*/changeNav/false/from/2856

Tickets from the NMM Bookings Office: 020 8312 6608, bookings@nmm.ac.uk

The JLS has recently published its second issue, Vol.2, No.1. The issue contains
articles on:

  • The ichthyosaurus and its representations by JOHN GLENDENING
  • Hoffmann’s motifs of physical movement by VAL SCULLION
  • The sonnet and geometry by MATTHEW CHIASSON & JANINE ROGERS
  • Additionally there are reviews of recent journal articles by Laura Voracheck,
  • Anna Henchman, Mandy Reid and Danielle Coriale.

The JLS is online and free to access and can be found at: http://literatureandscience.research.glam.ac.uk/journal/home

The JLS is now accepting the submission of articles, and reviews of recent journal articles for future issues. Please make any enquiries with the
Editor-in-Chief, Martin Willis, on mwillis@glam.ac.uk.