Related Events

Monday 19 January 7.00pm–8.30pm

‘The age of wonder’ a lecture by Prof Richard Holmes

In this lecture Richard Holmes tells the story of three remarkable scientific friendships during the Romantic Age in Britain. The astronomers William and Caroline Herschel, the chemists Humphry Davy and Michael Faraday and the medical scientists, John Abernethy and William Lawrence all challenged traditional ideas about human identity, morality and religious belief. They were pioneers in a time where distinctions between poetry, art and science were yet to take hold.

Holmes presents an age on the cusp of modernity, when science and faith in God were mutually incompatible, and shows through the vivid dramas of his central relationships how ideas are nurtured, scientific discoveries made, and how religious faith and scientific truth collide.

This lecture seeks to answer questions that are as relevant to us as they were to Coleridge’s generation: What are the sources of creativity? In what sense is there a human soul? Is it a fundamental mistake to regard science as a purely rational pursuit, or must we also recognise it as an imaginative and emotional one?

Admission: Tickets cost £8, £6 concessions, £4 Ri members. You can book tickets online at www.rigb.org or by calling the Events Team on 020 7409 2992 9.00am-5.00pm Monday to Friday.

Venue: The Royal Institution, 21 Albemarle Street, London W1S 4BS

For more information please visit www.rigb.org

‘The making of Mr Gray’s Anatomy’, a talk by Ruth Richardson
Tuesday 4 November 2008, 7.00pm-8.30pm

The Veins of the Exterior of the Head and Face

Gray’s Anatomy is probably one of the most iconic scientific books ever published: an illustrated textbook of anatomy that is still a household name 150 years since its first edition, known for its rigorously scientific text, and masterful illustrations as beautiful as they are detailed. This event will tell the story of the creation of this remarkable book, and the individuals who made it happen: Henry Gray, the bright and ambitious physiologist, poised for medical fame and fortune, who was the book’s author; Carter, the brilliant young illustrator, lacking Gray’s social advantages, shy and inclined to religious introspection; and the publishers – Parkers, father and son, the father eager to employ new technology, the son part of a lively circle of intellectuals. It is the story of changing attitudes in the mid-19th century; of the social impact of science, the changing status of medicine; of poverty and class; of craftsmanship and technology. And it all unfolds in the atmospheric milieu of Victorian London – taking you from the smart townhouses of Belgravia, to the dissection room of St George’s Hospital, and to the workhouses and mortuaries where we meet the friendless poor who would ultimately be immortalised in Carter’s engravings.

Alongside the story of the making of the book itself, Ruth Richardson reflects on what made Gray’s Anatomy such a unique intellectual, artistic, and cultural achievement – how it represented a summation of a long half century’s blossoming of anatomical knowledge and exploration, and how it appeared just at the right time to become the ‘Doctor’s Bible’ for generations of medics to follow.

Tickets cost £8 standard, £6 concessions and £4 Ri members.
See http://www.rigb.org/contentControl?action=displayContent&id=2429