August 2020

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Four Courts Press would like us to know that they have published an excellent range of children's literature titles on issues such as: childhood in Irish society, and politics and ideology in children's literature, while subject matter ranges from works by Jonathan Swift, Maria Edgeworth, Anne Enright, James Joyce and Oscar Wilde. Log onto their website to begin browsing and don't forget that all online orders receive an automatic 10% discount. A full flyer for the series can be found here.

A Special Issue of Configurations, to be published in early 2022

Editors: Verity Burke (Stavanger, Norway) and Will Tattersdill (Birmingham, UK)

“When a science-fiction protagonist experiences an epiphany in a museum the event enacts in a very precise way the preoccupations of the genre itself.”

Robert Crossley

Since Crossley wrote of Wells’s Palace of Green Porcelain in 1990, comparatively little work has sought to develop our understanding of the relationships between science fiction (sf) and museum spaces. Yet not only has sf continued to depict past and future sites of heritage - museum displays have themselves arguably absorbed and reflected sf’s thematic preoccupations and rhetorical techniques. This special issue of Configurations aims to focus on the breadth of interchanges between sf and museums, focussing on real life displays as well as fictitious institutions and inviting contributions from museum studies, literary criticism, STS, and any other interested disciplines.

We welcome papers that speak to any interpretation of the issue theme, including but by no means limited to discussions of:

  • Displays or exhibitions representing science fiction, or dedicated collections such as Allendale (UK) or the proposed Museum of Science Fiction in Washington, DC.
  • Sf considered as an element in museum displays about something else (science fiction as a means of scicomm, storytelling, or engagement).
  • The “science-fictionality” of modern museum display techniques (for example Augmented Reality).
  • The representation of the heritage sector in films, novels, comics and other sf media.
  • Science-fictional engagements with issues of object repatriation or postcolonial museum ethics (such as in Nnedi Okorafor’s Binti).
  • Displays which present ‘counterfactual’ histories or engage in some other way, explicitly or implicitly, with the contingency or speculation implied by sf.
  • Faux taxidermy and the display of mythical or fake animals; fake or hypothetical inventions or engineering; imagined alien (or ancient) life.
  • Any aspect of the conservation or archival preservation of sf’s materials (books, costumes, props, scripts, magazines, etc), or the representation of acts of conservation in published sf.

Articles of up to 10,000 words are invited for submission by 21st May 2021. Informal queries may be sent ahead of time to w.j.tattersdill@bham.ac.uk. House style is Chicago 16 - full details here. Essays will be fully peer reviewed.

A Gothic-Without-Borders Conference in March 2021, fully online, hosted by the Department of World Languages and Literatures (WLL) at Simon Fraser University (SFU), Vancouver, Canada, coordinated by the SFU Center for Educational Excellence (CEE), and co-sponsored by the International Gothic Association (IGA) and others.

Deadline for proposals: October 31, 2020

The conference organizers herewith call for proposals for papers on how forms of the Gothic deal with the critical issues arising from racism, social injustice, populism, mass infection, and the relation of each of these to contagion in at least one of its many forms – the most pressing issues of our current moment -- now and throughout world history.

Read the full CFP here.

For a full CfP click here.

It is often assumed that the eugenics propaganda and involuntary sterilisation programs of the early 20th century, aimed at those with physical and mental ‘defects’ ceased after World War II. However, unethical eugenic experimentation and practice aimed at the poor, the promiscuous, the illiterate, the sexually deviant, the dangerous and the incarcerated continued in countries such as America and Sweden during the 1960s and 1970s. Non---consensual, compulsory sterilisations and coercive eugenics state practices have continued in the 21st century.

Contemporary immigration controls aimed to exclude the entry of undesirable others into ‘near perfect societies’ and discourses of developing world overpopulation suggest that postwar social policy continues ideas and mechanisms incubated within the eugenics movement. Likewise, recent discourse in relation to COVID---19 has highlighted discussions about the shameful history of unethical experimentation and surgery upon BAME communities and their pervasive mistrust of clinical research.

We invite chapters that examine the ways in which representations of the body and gender within literature and visual culture (including film, television, graphic novels, comics, and video games) from the eighteenth century to the present day have engagedwith and challenged political, religious, cultural and social attitudes towards eugenics, genetic ancestries and genetic technologies. Contributors may focus upon the ways in which genetic technologies have enabled individual choices and challenged deeplyentrenched social issues such as racism, sexism and heterosexism.

How to Submit:
Chapter Proposal Submission Deadline: 1 November 2020. Please include (i) an abstract (no more than 200 words), (ii) a chapter proposal of 1,000 to 2,000 words clearly explaining the aims and concerns of your proposed chapter, (iii) a copy of yourC.V. and (iv) your contact details.
Final Acceptance Notification: 1 February 2021
Full Chapter Submission Deadline: 1 April 2021

Guidelines for Submissions:
Final chapter word length: 8,000 words max.
Contact Details: Please send your submissions to the editors at: genetics.eds@gmail.com. For a full CfP click here.

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