The Journal of Literature and Science is looking for reviewers to review various articles published in the last year to 18 months in the field of literature and science. Please see below for available articles, or write to Michelle Geric to suggest a relevant article for review.
Reviews should be 750 words long. For more details, please follow the link: https://www.literatureandscience.org/ or contact me at gericm@westminster.ac.uk to register your interest.
SUGGESTED ARTICLES:
Jennifer Wallace, “Beachy Head, Ancient Barrows and the ‘Alembic’ of Romantic Archaeological Poetics.” Romanticisms 29. 1 (2023): 28-41.
Tim Fulford, “Mont Blanc Imagined: Poetry, Science and the Prospect-View in Davy and Coleridge.” Romanticisms 29. 1 (2023): 15-27.
Philip Lindholm, “‘Mountains, glowing hot’: The Radical Volcanic Aesthetics of Wordsworth’s Early Poetry.” Romanticisms 29. 1 (2023): 1-14.
Stephanie Kinzinger, “Embodied Cognition in Edgar Allan Poe: Eureka’s Cosmology, Dupin’s Intuition.” Nineteenth-Century Literature 77. 2-3 (2022): 124–144.
Christopher Harrington, “Cut it, woman”: Masculinity, Nectar, and the Orgasm in Charlotte Brontë’s Shirley (1849).” Victorian Literature and Culture 50. 1 (2022): 1-25.
Christiane Schwab, “Sailors, Book Hawkers, and Bricklayer’s Laborers: Social Types and the Production of Social Knowledge in Nineteenth-Century Periodical Literature.” Nineteenth-Century Literature 76. 4 (2022): 403–426.
Jordan Kistler, “I Cannot Tell You All the Story: Narrative, Historical Knowledge, and the Museum in H. G. Wells’s The Time Machine.” Configurations 30. 3 (2022): 257-283.
Rebecca Spence, “A Sigh of Sympathy”: Thomas Hardy’s Paralinguistic Aesthetics and Evolutionary Sympathy.” Victorian Literature and Culture 50. 1 (2022): 117-139.
Cara Murray, “Cultivating Chaos: Entropy, Information, and the Making of the Dictionary of National Biography.” Victorian Literature and Culture 50. 1 (2022): 87-116.
Emma Felin, “A Peculiar Kind of Particularity: Plants and Animals in Marianne Moore’s Early Poetry.” Modernist Cultures 18. 1 (2023): 43-67.
Aaron McCullough, “Sheaths, Molds, and Shards: The Formation of an Anthropological Aesthetics in Willa Cather’s The Song of the Lark.” Journal of Modern Literature 45. 3 (2022): 121-139.
Emma Felin, “A Peculiar Kind of Particularity: Plants and Animals in Marianne Moore’s Early Poetry.” Modernist Cultures 18. 1 (2023): 43-67.
Grace Anne Paizen, “The Digitized Museum and the Troubling Reliance on Technology to Manage Knowledge in E. M. Forster’s The Machine Stops.” Configurations 30. 3 (2022): 357-366.
Graham Matthews, “Science, Scientists, and Prehistories of SSK in Mid-Twentieth-Century British Literature.” Configurations 31. 2 (2023): 101-131.
Lauren A. Mitchell, “Erotic Surgery: J. G. Ballard’s Crash, Octavia Butler’s ‘Bloodchild,’ and the Visual Legacy of the Medical Museum.” Configurations 30. 3 (2022): 285-312.
Verity Burke and Will Tattersdill, “Science Fiction Worldbuilding in Museum Displays of Extinct Life.” Configurations 30. 3 (2022): 313-340.
Diana Leong, “A Hundred Tiny Hands: Slavery, Nanotechnology, and the Anthropocene in Midnight Robber.” Configurations 30. 2 (2022): 171-201.
Leah Henrickson and Albert Meroño-Peñuela, “The Hermeneutics of Computer-Generated Texts.” Configurations 30. 2 (2022): 115-139.
Hannes Bajohr, “Algorithmic Empathy: Toward a Critique of Aesthetic AI.” Configurations 30. 2 (2022): 203-231.
Marco Caracciolo and Gry Ulstein. “The Weird and the Meta in Jeff VanderMeer’s Dead Astronauts.” Configurations 30. 1 (2022): 1-23.
Emily York, “Interspecies Ethics and the Limits of Epistemic Authority in Karen Joy Fowler’s We Are All Completely Beside Ourselves.” Configurations 30. 1 (2022): 77-104.
Victor Monnin, “Reading Omens in the Escape of Genetically Engineered Dinosaurs, 1970s-1990s.” Configurations 31. 1 (2023): 35-59.
