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The ERC-funded project Diseases of Modern Life: Nineteenth Century Perspectives is pleased to announce the launch of its database for researchers. The database contains a list of over 3000 references, gathered together by researchers on the project. The majority of these are primary sources, with a small selection of secondary sources which provide historical context, from seven of the thematic strands explored by the project: Finance and Speculation, Diseases of Professions and Occupations, Addiction, Climate and Health, Education and Overpressure, Nervous Diseases, Technology and New Inventions. Primary sources range from newspaper and journal articles to printed books, from across the long nineteenth century.
The entries will be helpful for research ranging across nineteenth-century medicine, science and culture. It can be accessed online or downloaded for full functionality at the following link: https://diseasesofmodernlife.web.ox.ac.uk/database. Please share this far and wide!
Extinctions and Rebellions
Saturday 16th November 2019
University of Liverpool
Organisers: Anna Burton and Sally Blackburn-Daniels
“We are at a time in history where everyone with any insight of the climate crisis that threatens our civilisation – and the entire biosphere – must speak out in clear language, no matter how uncomfortable and unprofitable that may be.”
In 2019, extinction is no longer the province of dinosaurs, the Dodo, or species far away in space and time. As Greta Thunberg argued in her Davos speech earlier this year, and as the ongoing socio-political efforts of the Extinction Rebellion suggest, extinction of the human (as well as the non-human) is an immediate concern and a very possible outcome of the climate crisis, unless significant action is taken by all. With this in mind, the ‘Extinctions and Rebellions’ symposium will think about the varied cultural discourses of extinction, past and present. It will not only be a platform to discuss current environmental and ecological concerns of the Anthropocene in the cultural imagination, but it also offers a space to think about how previous literary and scientific forms have imagined extinction as a process or finality, and how these conversations speak to and could offer a means to think about our current climate crisis. Moreover, we will explore ‘extinction’ and ‘rebellion’ as they pertain to questions of literary form and scientific theory and practice. This one-day event will allow postgraduates, early-career researchers, and academics to think about how the sciences and humanities can work together, inform, and facilitate the “clear language” needed to rebel against human and non-human extinction.
The questions presented by this symposium theme are relevant to all researchers, and we welcome delegates from varied career stages to allow for a diverse discussion. However, ‘Extinctions and Rebellions’ will also focus on how researchers in the earlier phases of their career can start (or continue) to think about the relevance and impacts of their work. The question of ‘Impact’ for REF2021 is one often discussed by established academics, but through a ‘Literature, Science, and Impact’ roundtable, this event will encourage postgraduates and ECRs to discuss the ways in which this field and their work can create changes to thinking and behaviours, and what this can mean for their future research too.
Potential topics include, but are not limited to:
- Non-human Species and Ecological Biodiversity
- Climate Crisis, Environmentalism, and the Anthropocene
- Imagining the End of the World and/or the Apocalypse
- Scientific Extinctions (discourses that have been disproved or are no longer relevant)
- Extinct or Dormant Literary Forms (which have a bearing on science)
- Transhumanism and/or Posthumanism (ways of extending life and humanity beyond extinction using technology)
- Creative writing and Extinction
We welcome proposals for 20 minute papers. Please send an abstract of no more than 300 words to email@example.com by Monday 23rd September 2019, accompanied by a short biography (100 words). We are also seeking a couple of kind volunteers for the Impact Roundtable, so if interested in participating, please get in touch!
Following the success of the JLS/BSLS essay prize in previous years, The JLS and the British Society for Literature and Science would like to announce the 2019 prize for the best new essay by an early career scholar on a topic within the field of literature and science.
Essays should be currently unpublished and not under consideration by another journal. They should be approx. 8,000 words long, inclusive of references, and should be send by email to both Will Tattersdill, Communications Officer of the BSLS (firstname.lastname@example.org), and Martin Willis, Editor of the JLS (email@example.com), by 12 noon on Friday, 30th August, 2019
The prize is open to BSLS members who are postgraduate students or have completed a doctorate within three years of this date.
The prize will be judged jointly by representatives of the BSLS and JLS. The winning essay will be announced on the BSLS website and published in the JLS. The winner will also receive a prize of £100.
Read previous prize winning essays in the JLS: www.literatureandscience.org
(The judges reserve the right not to award the prize should no essay of a high enough standard be submitted.)
Registration is now open for Beastly Modernisms
An international conference on the animal turn in modernist studies.
University of Glasgow (12-13th September 2019)
You can register here! We welcome delegates from across the arts, animal studies, and beyond, at all levels of study.
Our programme is available on our website
Follow us @BeastlyMods
Contact us: firstname.lastname@example.org
If you are a postgraduate student based in Scotland attending as a delegate, and would like to be considered for the Scottish Network of Modernist Studies student travel bursary please email us to register your interest.
At 7.00 pm on Sunday 7th July in the Levi Fox Hall Edward’s Boys will give their first performance of Wit and Science by John Redford prior to touring Oxford, London and Genoa, Italy where they will perform at the invitation of the Société Internationale pour l’étude du Théâtre Médiéval.
Redford, composer, organist and choirmaster of St Paul’s Cathedral, seems to have written the play around 1540. It exists in one manuscript in the British Library. Part comic allegory and part satire on education, and including four songs, Wit and Science is important for several reasons: it spawned imitations and sequels; it is a rare example of an English ‘school play’; and it tells us something about how a Tudor schoolmaster understood his educational project.
Sunday 7th July, 7.00pm – Levi Fox Hall CV37 6BE
Tickets: £10; Concessions: £5
Monday 8th July, 6.00pm – The Chapel. New College, Oxford OX1 3BN
Tickets: £10; Concessions: £5
Tuesday 9th July, 7.00pm – the Priory Church of the Order of St John, Clerkenwell, London EC1V 4JJ
Tickets: £12; Concessions: £6
Tickets for performances may be purchased by means of the online Box Office https://www.ticketsource.co.uk/kes
Friday 12th July, 7.00pm for the Société Internationale pour l’étude du Théâtre Médiéval at the Palazzo Ducale di Genova, Italy
The Journal of Literature and Science http://www.literatureandscience.org is once again looking for reviewers to review various articles published in the last year to 18 months in the field of literature and science.
Please find below a number of articles that we would like to offer for review for the Journal’s forthcoming 2019 Winter issue. Its largely first come, first served, so do get in touch with an offer to review a specific article by emailing Michelle Geric email@example.com
I would also be very happy to receive suggestions for other relevant articles for review that aren’t listed below – please do let me know.
Sandra Robinson. “Databases and Doppelgängers: New Articulations of Power.” Configurations 26. 4 (2018): 411-440.
Valerie O'Brien. “‘A Genius for Unreality’: Neurodiversity in Elizabeth Bowen's Eva Trout.” Journal of Modern Literature 42. 2 (2019): 75-93.
Lorenzo Servitje. “Of Drugs and Droogs: Cultural Dynamics, Psychopharmacology, and Neuroscience in Anthony Burgess’s A Clockwork Orange.” Literature and Medicine 36. 1 (2018): 101-123.
Kurt Beals, “‘Do the New Poets Think? It's Possible’: Computer Poetry and Cyborg Subjectivity.” Configurations 26. 2 (2018): 149-177.
Ursula K Heise. “Science Fiction and the Time Scales of the Anthropocene.” ELH 86. 2 (2019): 275-304.
Jocelyn Rodal. “Patterned Ambiguities: Virginia Woolf, Mathematical Variables, and Form.” Configurations 26. 1 (2018): 73-101.
Christy Rieger. “Chemical Romance: Genre and Materia Medica in Late-Victorian Drug Fiction.” Victorian Literature and Culture 47. 2 (2019): 409-437.
Pascale McCullough Manning. “The Hyde We Live In: Stevenson, Evolution, and the Anthropogenic Fog.” Victorian Literature and Culture 46. 1 (2018): 181–99.
Katja Jylkka, “‘Witness the Plesiosaurus’: Geological Traces and the Loch Ness Monster Narrative.” Configurations 26. 2 (2018): 207-234.
Thomas M. Stuart, “Out of Time: Queer Temporality and Eugenic Monstrosity.” Victorian Studies 60. 2 (2018): 218-227.
Larsen, Haley. “‘The Spirit of Electricity’: Henry James's In the Cage and Electric Female Imagination at the Turn of the Century.” Configurations 26. 4 (2018): 357-387.
Elisavet Ioannidou. “Neo-Victorian Visions of the Future: Science, Crime, and Modernity.” Victoriographies 8. 2 (2018): 187-205.
Mary Kuhn, “Dickinson and the Politics of Plant Sensibility.” ELH 85. 1 (2018): 141-170.
Doreen Thierauf. “Tending to Old Stories: Daniel Deronda and Hysteria, Revisited. Victorian Literature and Culture 46. 2 (2018): 443-465.
Sara Brio. “The Shocking Truth: Science, Religion, and Ancient Egypt in Early Nineteenth-Century Fiction.” Nineteenth-Century Contexts 40. 4 (2018): 331-344.
John Rogers. “Newton's Arian Epistemology and the Cosmogony of Paradise Lost.” ELH 86. 1 (2019): 77-106.
Alexander Jakobidze-Gitman. “The Rise of Machines in Reformation Nuremberg: Jakob Ayrer's ‘Fastnachtspiel of Fritz Dölla with His Bewitched Fiddle’.” Configurations 26. 4 (2018): 441-469.
I would also like to draw the attention of potential reviewers to the recent issue of Literature and Medicine which is themed “Chemistry, Disability, and Frankenstein” (volume 36, no. 2, 2018). Please do get in touch if there is an article from this issue that you would like to review.
Thanks to the support of the Institute of Modern Languages Research at the University of London (@IMLR_News), the Association for the Study of Modern and Contemporary France (@asmcf), the British Society for Literature and Science (@TheBSLS), and the Centre for Environmental Humanities at the University of Bristol (@UoBrisCEH), we were able to hold a workshop for early career researchers working on French and Francophone contexts (day one), followed by a widening participation event for teachers and A-Level students (day two). Day one involved the speakers and four participants, which proved to be advantageous for focussed discussion of the papers as work-in-progress for a forthcoming special issue edited by Daniel Finch-Race, which will be the primary academic publication from the event. On day two, four workshops were delivered to nine teachers and A-Level learners: close readings of literary texts (session one) and films (session three) bracketed parallel workshops on translation (session two).
Day one began with a panel on nineteenth-century French texts. James Illingworth approached George Sand’s volcanic imagery as an instance of eco-feminism avant la lettre. Sarah Jones considered Emile Zola’s interest in madness and hysteria. Arthur Rose returned to Zola’s Germinal as a source text for thinking about coal use in the Anthropocene. After a short break, Keir Waddington delivered an excellent keynote on trends in French environmental historiography as part of an argument that sought to recover the role of topography in thinking about environmental health. After lunch, there were two presentations on twentieth-century francophone writing. Joe Ford’s close reading of key passages in Albert Camus’ L’Étranger showed how the narrative plays with subject positions to problematize the protagonist’s agency. Holly Langstaff reflected on the animal presence that persists across Maurice Blanchot’s oeuvre, particularly his ‘mouche importune’. In the final session, Frances Hemsley considered how contemporary Rwandan testimonial writing demonstrates the entwinement of insect-eradication campaigns with the forced displacement of groups during the late colonial period. Kasia Mika introduced us to the ‘cholera chronotope’ as a mode for considering time and place in activist documentaries about UN peacekeepers introducing cholera into Haiti after the 2010 earthquake.
On day two, Langstaff, Illingworth, Ford, Rose and Finch-Race delivered four one-hour workshops on how the environmental humanities and medical humanities can be used in teaching A-Level French. The close-knit audience was exceptional: each of the ECRs delivering the workshop commented upon the engagement of the teachers and learners. At the end of the day, the audience’s feedback was overwhelmingly positive, with several people referring to how the sessions provided the means and motivation to develop their work.
Oxford University’s Gardens, Libraries and Museums, including the Oxford University Museum of Natural History, the Pitt Rivers Museum, Oxford Botanic Garden and the History of Science Museum have been awarded 11 PhD studentships through the Arts and Humanities Research Council (AHRC) Collaborative Doctoral Partnership (CDP) programme. For more information, or if you are interested in proposing a collaborative doctoral project, click here.